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Creativity

Attention & Ambiguity: The Non-Paradox of Creative Work

Psychology Today: The Creative Personality

[via delicious.com/huxant, w/a reminder by Jack Shedd]

Some days, I can’t decide how I feel about Mihaly Csikszentmihalyi (say: “chick SENT me high”). He’s written some great stuff, but, sometimes, he mixes Big-Word academicspeak with anecdotal observation in a way that smells a little hokey to me.

So, although I’m trying not to audibly roll my eyes at a pop-psychology Top 10 list about creativity’s “dialectical tension,” I definitely am interested in one of his observations about the “paradox” of creative people.

Creative people combine playfulness and discipline, or responsibility and irresponsibility  read more »

What Makes for a Good Blog?

My friends at Six Apart recently asked me to make a list of blogs that I enjoy. I think they’re planning to use it for their new Blogs.com project. Unfortunately, I’m late getting it to them (typical), but if it’s still useful, I’ll post it here in a day or four.

As I think about the blogs I’ve returned to over the years — and the increasingly few new ones that really grab my attention — I want to start with, ironically enough, a list. Here’s what I think helps make for a good blog.  read more »

Cooking for the Creative Beast

Guest post

Guest blogger, Matt Wood, learns how to feed his creative side (without giving it a big gut). —mdm

Earlier this summer, I was in the kitchen, trying to cook dinner. I had a pot on the stove and a fire going on the grill outside. I was fumbling with a bag of frozen peas when my three-year-old started shouting at me to fix one of his toys. “Hold on a second, son,” I said. “I can’t do two things at once.” He looked me, dead serious, and said, “But you have two hands, Daddy.”

Too Many Pots on the Stove

My life usually feels like this. I set out to do make something nice, and I end up with a scorched side dish, charred burgers, and crunchy peas. The output barely resembles that delicious-looking picture in Cooking Light, but hey, the toy trains are running on time!

My immediate solution has been to limit the inputs and not try to do so much at once. If I can’t cook a nice meal with a preschooler underfoot, then I won’t even try. Chicken nuggets and grilled cheese for everyone, and you’ll like it, thank you very much. While this approach to dinner fulfills various statutes regarding child neglect, it’s also not very satisfying. Apply this approach to work and it certainly creates more time to do Important Things, but it makes for soggy, microwaved output as well.  read more »

Making Time to Make: One Clear Line

This article is Part 3 of a 3-part series about attention management for people who do creative work called, Making Time to Make.
Previously: Part 1, Bad Correspondence
Then: Part 2, The Job You Think You Have

Tick tock.Could an email recluse like Neal Stephenson just cowboy up by agreeing to a monthly chat session or the occasional visit to a fan forum? Sure, he could. Could a volunteer intern scan Neal’s email once a week for particularly wonderful notes? You bet. Could he even conceivably just drop all the blast shields, open a chat room, “livestream” from his desk, and then spend the rest of his life answering questions from people with nothing better to do? Maybe. Sure. But, probably not. He’s already told us as much, hasn’t he?

The point, from my perspective, is that Stephenson possesses the man-sized pant stones to declare precisely what the people who enjoy his work should expect from him. And, in so doing, he has drawn a clear line that some might find hard to love, but that is very easy to see, understand, and respect. No, he didn’t hire someone to answer his email, or get a kid to pretend to be him on Twitter, or install a Greasemonkey script that “autopokes” people on Facebook (I’ll leave you to guess which two of these I do).

Neal Stephenson essentially said, “Listen, gang, here’s what I’m going to make for you: novels.” And then, he went back to typing. To working. On work.  read more »

Lunch Poems

Guest post from our pal, Brian, on how one of my favorite poets of the 60s captured interstitial time to make art. —mdm  read more »

At the late late party after party we were talking about how you know if you're a writer. I suggested that actually writing routinely was the tip off. Then someone had a better idea: that writers are those who feel guilty about not writing. A first-world problem, to be sure, but if you know any working writers, one of their most beloved hobby horses is that they just don't have time to write. Students, money, speaking engagements, lint, bacon, the Cubs, morning sex. So many things between them and great sentences.

Frank O'Hara didn't seem to have this problem.

Making Time to Make: The Job You Think You Have

This article is Part 2 of a 3-part series about attention management for people who do creative work called, Making Time to Make.
Previously: Part 1, Bad Correspondence
Finally: Part 3, One Clear Line

Photo of Former Beatle, Maker, and Non-BlackBerry Carrier, John Winston Lennon (1940-1980) If you’re a publisher, journalist, author, blogger, musician, artist, designer, cartoonist, or any other sort of person whose job it is to connect with people by communicating ideas, it’s natural and wholesome for people who are interested in what you do (and many of whom are certainly makers-of-stuff in their own right) to develop a relationship with your work and to want a way to participate in it, add to it, and build upon it. It’s equally great to reciprocate in a way that’s collaborative, fun, and useful. God knows, it’s anybody’s dream to have people interested enough in what you do to find that they want to reach out to you. Talk about a first-world problem.  read more »

Making Time to Make: Bad Correspondence

This article is Part 1 of a 3-part series about attention management for people who do creative work called, Making Time to Make.
Next: Part 2, The Job You Think You Have
Finally: Part 3, One Clear Line

Over the years, novelist Neal Stephenson (wiki), has had at least a couple different pages where he’s explained why he’s chosen to limit the access he provides via email, interviews, and phone calls. It appears to be something he’s given a lot of thought to.

Via Jessamyn, here’s an Archive.org mirror of an older version of his page where he explains his introversion and need to stay focused on his work, alongside FAQs that answer many of the questions he typically has to field. Read it all though. It’s pretty good. Stephenson’s bottom line?

I simply cannot respond to all incoming stimuli unless I retire from writing novels. And I don’t wish to retire at this time.

And here’s another well known piece, Stephenson’s “Why I am a Bad Correspondent”, in which he lays out more details about why he’s chosen to create an expectation based on guarding his attention so slavishly:  read more »

Ira Glass on Working Through the Suck

YouTube - Ira Glass on Storytelling #3

Video featuring terrific advice from This American Life’s Ira Glass on having the tenacity to get better at the creative work you’re passionate about — even through the times when you know what you’re making isn’t as good as you’d like.  read more »

Whining, Blue Smoke & the Mechanics of Getting Unstuck

I’ve been working on a bunch of (non-43 Folders-related) stuff lately, but I started feeling that hankering to come back and write something new here. To get the engine started, I went through some old posts and turned up a few (oddly self-inspiring) ideas that I want to re-share. The topic? “Getting unstuck.”

  • Hack your way out of writer’s block - “Literally. Put five completley random words on a piece of paper. Write five more words. Try a sentence. Could be about anything. A block ends when you start making words on a page.”
  • Solve problems by writing a note to yourself - “Seriously, open up your email program, type in your own email address, then choose a brilliant subject line that perfectly encapsulates your particular problem.”
  • Do a fast “mind-sweep” - “And as long as you let that stuff accumulate as chunky deposits on the edges of your perception, it’s very unlikely it’ll get done since — well — they won’t get done until they’re been captured and properly started, right?”
  • Cringe-Busting your TODO list - “Per cringe item, think honestly about why you’re freaked out about it. Seriously. What’s the hang-up? (Fear of failure? Dreading bad news? Angry you’re already way overdue?)”
  • Patching your personal suck - “Every patch that fails teaches you a little something that might come in handy some day. Mistakes, as they say, can be a buddhist gift.”

I guess all I’d add — since it’s on my mind today — is that I’m learning how much it pays to listen whenever you hear yourself mentally whining.  read more »

Creative Constraints: Going to Jail to Get Free

A Brief Message: No Resistance Is Futile

For Sale: Baby Shoes, Never Worn

Paul Ford has been posting six-word Twitter updates for a few weeks, and now he’s also created the magnum opus of six-word criticism: sexological reviews of the 763 mp3s in this year’s SxSW torrent.

Writing on (the 200-words-or-less site) A Brief Message, Paul talks about how the constraint changed his approach and his thinking:

Now when I face a new writing project, I open a spreadsheet. I want a grid to keep track of sources and dates, or to make certain that the timeline of a story makes sense. The grid imposes brevity. Relationships between sentences are exposed. Editing becomes a more explicit act of sorting, shuffling, balancing paragraphs. In this spirit, I’m rewriting some blog software to read directly from Excel. We’ll see how that goes.

Yes. Constraints. As Paul shows, constraints get you thinking about the creative process in a whole new way.

Me? I ♥ constraints. 30 seconds. 5 things. Less than 140 characters.

In fact:

Twitter’s making me a stronger writer. I think harder about how to say more using fewer and shorter words. Nothing beats hitting the Twoosh. (140 chars)


Let’s close with a favorite quote on creative constraint from Anne Lamott’s wonderful Bird by Bird. She explains that she keeps a one-inch-square picture frame on her desk to remind her of “short assignments:”

It reminds me that all I have to do is to write down as much as I can see through a one-inch picture frame. This is all I have to bite off for the time being.

Well put. (And only 17 characters north of the Twoosh.)

The Question to You

Got a good example of a creative constraint at work?  read more »

 
EXPLORE 43Folders THE GOOD STUFF

An Oblique Strategy:
Distorting time


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Inbox Zero

The original 43 Folders series looking at the skills, tools, and attitude needed to empty your email inbox — and then keep it that way. Don’t miss the free video of Merlin’s Inbox Zero presentation.

Making Time

3-part series on attention management for artists and makers. Read Bad Correspondence, The Job You Think You Have, and One Clear Line.