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CreativityAttention & Ambiguity: The Non-Paradox of Creative WorkMerlin Mann | Aug 20 2008Psychology Today: The Creative Personality [via delicious.com/huxant, w/a reminder by Jack Shedd] Some days, I can’t decide how I feel about Mihaly Csikszentmihalyi (say: “ So, although I’m trying not to audibly roll my eyes at a pop-psychology Top 10 list about creativity’s “dialectical tension,” I definitely am interested in one of his observations about the “paradox” of creative people.
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What Makes for a Good Blog?Merlin Mann | Aug 19 2008My friends at Six Apart recently asked me to make a list of blogs that I enjoy. I think they’re planning to use it for their new Blogs.com project. Unfortunately, I’m late getting it to them (typical), but if it’s still useful, I’ll post it here in a day or four. As I think about the blogs I’ve returned to over the years — and the increasingly few new ones that really grab my attention — I want to start with, ironically enough, a list. Here’s what I think helps make for a good blog. read more » POSTED IN:
Cooking for the Creative BeastMatt Wood | Aug 15 2008Guest postGuest blogger, Matt Wood, learns how to feed his creative side (without giving it a big gut). —mdm Earlier this summer, I was in the kitchen, trying to cook dinner. I had a pot on the stove and a fire going on the grill outside. I was fumbling with a bag of frozen peas when my three-year-old started shouting at me to fix one of his toys. “Hold on a second, son,” I said. “I can’t do two things at once.” He looked me, dead serious, and said, “But you have two hands, Daddy.” Too Many Pots on the Stove
My immediate solution has been to limit the inputs and not try to do so much at once. If I can’t cook a nice meal with a preschooler underfoot, then I won’t even try. Chicken nuggets and grilled cheese for everyone, and you’ll like it, thank you very much. While this approach to dinner fulfills various statutes regarding child neglect, it’s also not very satisfying. Apply this approach to work and it certainly creates more time to do Important Things, but it makes for soggy, microwaved output as well. read more » POSTED IN:
Making Time to Make: One Clear LineMerlin Mann | Aug 6 2008
This article is Part 3 of a 3-part series about attention management for people who do creative work called, Making Time to Make.
The point, from my perspective, is that Stephenson possesses the man-sized pant stones to declare precisely what the people who enjoy his work should expect from him. And, in so doing, he has drawn a clear line that some might find hard to love, but that is very easy to see, understand, and respect. No, he didn’t hire someone to answer his email, or get a kid to pretend to be him on Twitter, or install a Greasemonkey script that “autopokes” people on Facebook (I’ll leave you to guess which two of these I do). Neal Stephenson essentially said, “Listen, gang, here’s what I’m going to make for you: novels.” And then, he went back to typing. To working. On work. read more » POSTED IN:
Lunch PoemsBrian Oberkirch | Aug 6 2008Guest post from our pal, Brian, on how one of my favorite poets of the 60s captured interstitial time to make art. —mdm read more » Frank O'Hara didn't seem to have this problem. POSTED IN:
Making Time to Make: The Job You Think You HaveMerlin Mann | Aug 5 2008This article is Part 2 of a 3-part series about attention management for people who do creative work called, Making Time to Make.
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Making Time to Make: Bad CorrespondenceMerlin Mann | Aug 5 2008This article is Part 1 of a 3-part series about attention management for people who do creative work called, Making Time to Make. Over the years, novelist Neal Stephenson (wiki), has had at least a couple different pages where he’s explained why he’s chosen to limit the access he provides via email, interviews, and phone calls. It appears to be something he’s given a lot of thought to. Via Jessamyn, here’s an Archive.org mirror of an older version of his page where he explains his introversion and need to stay focused on his work, alongside FAQs that answer many of the questions he typically has to field. Read it all though. It’s pretty good. Stephenson’s bottom line?
And here’s another well known piece, Stephenson’s “Why I am a Bad Correspondent”, in which he lays out more details about why he’s chosen to create an expectation based on guarding his attention so slavishly: read more » POSTED IN:
Ira Glass on Working Through the SuckMerlin Mann | Jul 7 2008YouTube - Ira Glass on Storytelling #3 Video featuring terrific advice from This American Life’s Ira Glass on having the tenacity to get better at the creative work you’re passionate about — even through the times when you know what you’re making isn’t as good as you’d like. read more » 10 Comments
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Whining, Blue Smoke & the Mechanics of Getting UnstuckMerlin Mann | Apr 10 2008I’ve been working on a bunch of (non-43 Folders-related) stuff lately, but I started feeling that hankering to come back and write something new here. To get the engine started, I went through some old posts and turned up a few (oddly self-inspiring) ideas that I want to re-share. The topic? “Getting unstuck.”
I guess all I’d add — since it’s on my mind today — is that I’m learning how much it pays to listen whenever you hear yourself mentally whining. read more » POSTED IN:
Creative Constraints: Going to Jail to Get FreeMerlin Mann | Mar 24 2008A Brief Message: No Resistance Is Futile Paul Ford has been posting six-word Twitter updates for a few weeks, and now he’s also created the magnum opus of six-word criticism: sexological reviews of the 763 mp3s in this year’s SxSW torrent. Writing on (the 200-words-or-less site) A Brief Message, Paul talks about how the constraint changed his approach and his thinking:
Yes. Constraints. As Paul shows, constraints get you thinking about the creative process in a whole new way. Me? I ♥ constraints. 30 seconds. 5 things. Less than 140 characters. In fact: Twitter’s making me a stronger writer. I think harder about how to say more using fewer and shorter words. Nothing beats hitting the Twoosh. (140 chars) Let’s close with a favorite quote on creative constraint from Anne Lamott’s wonderful Bird by Bird. She explains that she keeps a one-inch-square picture frame on her desk to remind her of “short assignments:”
Well put. (And only 17 characters north of the Twoosh.) The Question to YouGot a good example of a creative constraint at work? read more » POSTED IN:
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