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Working In Close

“Inspiration is for amateurs. I just get to work.” — Chuck Close

 

Detail Chuck Close

It may be that I like hearing about the work habits of writers and artists I like almost as much as I like their work. How do you force yourself to do work no one (really, like, no one) is clamoring for, in addition to doing the long apprentice work you need to do to build your chops? As most of our work gets less structured and more creative, it might prove helpful to take a look at how artists get their stuff done.

And, sorry, all those romantic notions you have of absinthe spoons, manic episodes and Kerouac-like rambling on a long roll of butcher paper really aren’t operative. Creative work is mostly showing up every day and enduring a million tiny failures as you feel your way to something a bit new.

Let’s look at Chuck Close. This interview with Terry Gross has all sorts of good things to think about (esp. if you like talk about technique), but I was especially struck by the way Close talks about evolving his method of working to overcome his own personality.

I’m a nervous wreck. I’m a slob. I have no patience. And I’m rather lazy. All those things would seem to guarantee that I would not make work like I make. But I didn’t want to just go with my nature.

So instead of painting overwrought, expressive things when the mood struck, he committed to making his epic, close-up portraits by breaking the work into tiny pieces and hewing to a grid. Not only did the grid make technical sense, it forced a lifehack on Close that would help him deal with his own tendencies. It helped get the work done, sure. It allowed him a style that might not have been ‘natural’ to his disposition. & it also had other side benefits.

What I found that one of the nice things [about] working incrementally is that I don’t have to reinvent the wheel every single day. Today I did what I did. You can pick it up and put it down. I don’t have to wait for inspiration. There are no good days or bad days. Every day essentially builds positively on what I did the day before. … Given my nature, I believe it was very good for me to be able to add to what I already had and slowly construct the final image out of these little building blocks.

Of course, this approach also reminds me of one of my favorite pep talks, Bird by Bird, in which Anne Lamott tries to make us mindful of each intervening step we have to take on the way to realizing larger things. Here, Close compares his method to the way knitting or crocheting is done in small intervals over an extended period.

My paintings are built incrementally, one unit at a time, in a way that’s not all that different than the way, say, a writer would work. … Because I work incrementally, I push little pieces of paint up against one another. …. And I slowly build these paintings, construct them, in the way someone might crochet or knit.

If you believe in the process and you knit one, purl two long enough, eventually you get a sweater.

Not only do I love the hope in that sentence, I think it’s true. If you can create a process that short circuits some of your own worst habits, and you really believe in that process, eventually you’ll get a sweater, a nine-foot painting, chicken enchiladas, a Web site, a marathon.


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Merlin Mann's picture

And...

Not to get all Very Special Blossom, here, but it must be noted that the man does the amazing stuff he does after suffering a debilitating stroke — a blow that would have left a lesser person, like myself, feeling very uncreative and very incapable of making 9-foot paintings.

I mean, damn.

But it goes straight to the basic point of the story in my opinion; almost nobody thinks they need a process until they need a process. His process is based heavily on extremely hard, tedious work, but it might be a lot harder to do if he did not have a mature understanding of the help his mind, body, and soul needed to make it go on.

Jennings's picture

In the process

Lies freedom. In an interview I heard with Nick Cave - I think it was on Fresh Air - he talked about how every day he got up, had his coffee, and went to his “office”, sat down at the piano and wrote for eight hours a day. Then when he was finished, he went home to his wife.

He said that though he didn’t write hits all the time, it gave him a deeper understanding of his relationship with himself, his creative process and his art.

I agree that the process is the most important part of creation. It’s not where we go, but how we get there.

craigly's picture

tiny steps

This post really resonates with me. For the past 25 years I’ve made a living as a graphic designer. I’ve often joked “I don’t get to have writer’s block.”

I hardly ever get a bolt of inspiration. I’m a plodding designer. But I’ve found that if I just keep putting in time, if I just keep at it, eventually something interesting shows up.

I’ve evolved an incremental way of working that makes the best use of my limited skills, and minimizes my copious shortcomings.

I’ve found that I just need to get something down. Anything. And it’ll suck, but that’s okay. Then I duplicate that page and I make a change to it. Then I duplicate that and make another change. And on and on and on. It’s not unusual for me to have a 100 page InDesign document that yields 4-5 designs that I can show to a client.

I can’t always think of an entirely new design, but I can almost always think of a way to change a design, to make an edit. It’s easier to do a lot of little things rather than one big thing.

Merlin Mann's picture

Good comment, C. I’m also

Good comment, C.

I’m also reminded (as I so often am) of an old cliche about getting good at guitar-playing which also applies to — well — pretty much everything, in my opinion:

It’s not how many years you play; it’s how many hours you play.

iheartthe.com's picture

Thanks for the great post

The quotes and commentary here really resonated with me, particularly Close’s self-proclaimed laziness and impatience. I love that he takes these shortcomings and works them into a process that sets his work apart. As a budding web designer, I find it’s so hard not to wait around for a muse to strike, or tell yourself that maybe at 3AM you’ll feel more like working. Even though I know that having a process is key, articles like this are great inspiration to keep with it when my motivation is waning. I also love finding a connection with a successful artist working in a different medium - it feels like we’re all going through the same struggles.

Chip Kohrman's picture

Showing up

Somerset Maugham says, “I write only when inspiration strikes. Fortunately, it strikes every morning at nine o’clock sharp.” Inspiration is rarely glamorous. craigly’s “plodding designer” word choice is wonderful.

Close’s dedication to process is definitely amazing, not to mention his paintings. But perhaps my favorite thing about Close is that his work still evolves within that process. It doesn’t stay exactly the same, and I think that’s kind of a relief to know that the right structure supports us without limiting our results.

PaMdora's picture

I agree

Thanks for a great post on making art and insightful analysis of Close’s process. I’m new to your blog, but enjoying in the past few weeks.

I made humorous contemporary art quilts, and decided to work in that medium, for many of the same reasons that Close works the way he does. Although I’m familar with his art, hadn’t paid much attention to how he makes it — Thanks for drawing my attention to that.

www.pamrubert.com

ShameyReed's picture

Philosophick Mercury?

Ok, so this one tickled me in a slightly different way. CC’s work makes me think about us humans as a collection of cells- teeny, weeny seemingly unrelated blobs that when put together make a remarkably cohesive whole. Then MM’s comments on process of creativity made me think of Neil Stephenson’s Quicksilver and the conversations between Daniel & Leibniz concerning the relationship of mechanical philosophy with free will, ie. if we are no more then a collection of microscopic gears— how can we possess something that transcends the mere physical- thought, awareness, intelligence, creativity, soul, etc.?

Are CC (in his paintings) and MM (with his GTD) really engaged in some deep philosophy…..by breaking things down to their fundamental elements and then rationalizing how they go together?

Anyway thanks for letting me scratch my back up and down your blog, I feel much better.

jwolford's picture

Iggy Vs. Dylan

There are two stories that have always come to mind when I think about this. One about Bob Dylan, I heard from a friend. He said that you HAD to write something everyday. Just stayed at and hung on with his teeth until it came out.

The other is from the book Inside the Music, there was a really great chapter on Iggy Pop. Who said that he did not sit around waiting for inspiration to strike. He chose to spend uninspired time getting drunk with interesting people.

Somewhere between these two methods is the key to happiness and success.

But the method of the artist in this post is probably a better fit for me.

DermDoc's picture

Everyday

It reminds me of the Noah Kalina video on YouTube, “Everyday,” where he takes a photo of himself everyday for 6 years. Each photo is prosaic, but the sum total is a video that is worthy of being viewed millions of times.

About brianoberkirch

brianoberkirch's picture

Bio

Brian Oberkirch lives on the Gulf Coast & thinks about writing, food and the Web quite often.

 
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